Xperimentus

Author:
Krispen Hartung / info@krispenhartung.com
/ 208-724-5603
Xperimentus CD Page:
http://www.krispenhartung.com/xperimentus
The
idea of a mistake is beside the point, for once anything happens it authentically
is.
- John Cage
Improvisation:
The art of thinking and performing
After silence, that which comes nearest to expressing the inexpressible,
is music - Aldous Huxley
Do
not fear mistakes. There are none - Miles Davis
Many
western
TAKE
AN OBJECT
DO
SOMETHING TO IT
DO
SOMETHING ELSE TO IT
-
Jasper
Krispen Hartung & Friends: Xperimentus
Project Resources / Contact
Info / Web Sites
Sound Engineering, CD
Design, Production
Menu of Duo Composition
Approaches
APPROACH A(i) –
“Soundscapes/Textures on Top of Single Note Melody”
APPROACH A(ii) - Reverse
order of players in A(i)
APPROACH B(i) –
“Single Note Melody on top of Soundscapes/Textures”
APPROACH B(ii) –
Reverse order of players in B(i)
APPROACH C(i) –
“Single Notes on top of Single Notes”
APPROACH C(ii) –
Reverse order of players in C(i)
APPROACH D – “Series
of Stand-Alone Looped Parts without Background”
APPROACH E(i) –
“Complete Dual/Parallel Parts (Tonal center known only, not the first
part)”
APPROACH E(ii) –
“Complete Dual/Parallel Parts (First
parts heard)”
APPROACH G(i) –
“Group Cacophony”
APPROACH G(ii) –
“Group Cacophony –Mixed and Processed”
Approach/Duo Recording
Sequences
Compositional Modes of
Feel and Moods.
Recording/Internet Collaboration
Technology
Appendix A (Genre Descriptions)
Appendix B (Examples of
Experimental, Avant-Garde, and Improvisational Music)
Note:
Some songs will have only 2 parts, others more. N/A is used in columns for
duo songs that do not have that additional part
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Approach Selected? |
First Part Complete? |
Second Part Complete? |